And yet, even if they're arguing about nothing, you know they still respect each other. It's pushy, "You gotta problem with that?" arrogance. So, what you get is that Brooklyn/Bronx attitude. They're wonderful actors, but it's the casting that makes their chemistry effective. Melina Kanakaredes, Eddie Cahill, Carmine Giovnazzo and Vanessa Ferlito - super-fine. Just the thought of what water does to a body.
I'll tell you, viewing CSI: NY requires a strong stomach. Surely these guys must, at some point in their career, get grossed out. How else could anyone stand to be exposed to the gruesome things they see on a daily basis? But when a recently drowned girl, with bluish skin, lies on an examination table, the filmmakers have to go and enhance the queasiness of the scene, (as they often do in the series) by upping the sound effects when a tech removes a nail fragment from her mouth. It's heartless, because it has to be, and it's a coping mechanism. One of the things that gets me about this show, as it is with all of the CSI shows, is the cold, clinical efficiency with which the characters approach their jobs. Anyway, the way it comes off is: let's take it for granted that Mac's personal life is the last thing he wants to thing about. You see, his wife died on September 11th in the World Trace Center. He has an underlying story, but if you missed the last few minutes of Episode 2, you'd have no idea what drives him to do what he does. ("Want to see a show? Go see Rent," he says to officers amused by a decapitated corpse.) However, over the first six episodes, we were given very little for which identify him as a well-rounded character. And I swear, every time he talks there's edge to the delivery. You don't doubt he's not the best forensics detective. He holds down the fort, and he's darn good.
#Csi miami season 5 dvd cover mac
For this incarnation of the original CSI, Gary Sinise, as detective Mac Taylor, is the man in the middle. If the process is what you dig, CSI:NY is a 17-hour payoff. Everything matters, nothing is insignificant. If they could bottle the air around a victim, they'd take it back to the lab for analysis.
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Specs of dust, split toenails, skin rashes, hair, paint chips, and whatever's left in the refrigerator. More specifically, how things work at the crime scene and in the lab. All of this, with the forensics team hovering about the body (or bodies), noting detail after gruesome detail with blood-splattered intensity is what CSI: NY is all about. CSI: NY sets a new standard for grotesqueness on network TV: it doesn't offer the typical spate of just-off-camera-style gore, but prolonged shots of lingering explorations of mutilated, dead people - on a lab table, excavated from a mine, unfolded from a box, unwrapped from plastic, or fished from a river (to name but a few atrocities).